| “Comprovisation”: The various facets of composed improvisation within interactive performance systems R Dudas Leonardo Music Journal 20, 29-31, 2010 | 88 | 2010 |
| Gestural Control of a Real-Time Physical Model of a Bowed String Instrument S Serafin, R Dudas, M Wanderley, X Rodet Proceedings of the 1999 International Computer Music Conference 99, 375-378, 1999 | 46 | 1999 |
| Supporting the Sound Description Interchange Format in the Max/MSP Environment M Wright, R Dudas, S Khoury, R Wang, D Zicarelli Proceedings of the 1999 International Computer Music Conference, 182-185, 1999 | 33 | 1999 |
| Recent Work around Modalys and Modal Synthesis F Iovino, R Caussé, R Dudas Proceedings of the 1997 International Computer Music Conference, 356-359, 1997 | 24 | 1997 |
| Musical Applications of New Filter Extensions to Max/MSP T Jehan, A Freed, R Dudas Proceedings of the 1999 International Computer Music Conference, 504-507, 1999 | 23 | 1999 |
| MAX 4.6: Reference Manual D Zicarelli, G Taylor, JK Clayton, R Dudas, B Nevil Cycling 74, 1990-2004, 2001 | 14 | 2001 |
| Spectral Envelope Correction for Real-Time Transposition: Proposal of a "Floating Formant" Method R Dudas Proceedings of the 2002 International Computer Music Conference, 126-129, 2002 | 12 | 2002 |
| Transcription, Adaptation and Maintenance in Live Electronic Performance with Acoustic Instruments P Furniss, R Dudas Proceedings of the 2014 Joint International Computer Music Conference (ICMC …, 2014 | 9 | 2014 |
| The Phase Vocoder–Part I R Dudas, C Lippe http://cycling74.com/2006/11/02/the-phase-vocoder-–-part-i/, 2006 | 9 | 2006 |
| Max 7: documentation M Puckette, D Zicarelli, R Sussman, JK Clayton, J Bernstein, B Nevile, ... last accessed 1, 31, 2017 | 6 | 2017 |
| Musical Applications of Nested Comb Filters for Inharmonic Resonator Effects J Ahn, R Dudas Proceedings of the 2013 International Computer Music Conference, 226-231, 2013 | 6 | 2013 |
| Expanding the Performance Possibilities of Real-Time Computer Music Repertoire through Re-Working Dated Technology R Dudas Journal of the Japanese Society for Sonic Arts 6 (1), 6-11, 2014 | 4 | 2014 |
| The Phase Vocoder–Part II R Dudas, C Lippe http://cycling74.com/2007/07/02/the-phase-vocoder-part-ii/, 2007 | 4 | 2007 |
| Studio Report: CREAMA – Center for Research in Electro-Acoustic Music and Audio at Hanyang University J Yim, R Dudas Proceedings of the 2013 International Computer Music Conference, 397-400, 2013 | 3 | 2013 |
| “Warm Chorus”: Re-Thinking the Chorus Effect Using an Orchestral Section Model R Dudas Proceedings of the 2012 International Computer Music Conference, 84-87, 2012 | 3 | 2012 |
| New media music at Hanyang University: Studio report J Yim, R Dudas ICMC, 2007 | 3 | 2007 |
| An Alternative Controller for a Virtual Bowed String Instrument S Serafin, R Dudas Trends in Gestural Control of Music (M.M. Wanderley and M. Battier, eds …, 2000 | 3 | 2000 |
| An Overview of Computer Music in Korea [韓国のコンピュータ音楽概観] R Dudas, J Yim Journal of the Japanese Society for Sonic Arts 2 (2), 28-31, 2010 | 2* | 2010 |
| Physical Modeling Synthesis of the Stone Chime Instrument “Pyeongyeong” J Ahn, R Dudas Proceedings of the 2015 International Computer Music Conference, 254-257, 2015 | 1 | 2015 |
| Developing Real-Time Systems for Concert Performance R Dudas Proceedings of the 2012 Australasian Computer Music Conference, 121-124, 2012 | 1 | 2012 |
Stefania SerafinAalborg UniversityПотвърден имейл адрес: create.aau.dk
