Richard Parncutt

Получаване на мой собствен потребителски профил

Позовавания

	Всички	От 2018
Позовавания	5787	1800
h-индекс	35	22
i10-индекс	73	44

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Преглед на всички

16 статии

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Съавтори

Gary E McPhersonOrmond Professor of MusicПотвърден имейл адрес: unimelb.edu.au
John SlobodaResearch Professor, Guildhall School of Music & DramaПотвърден имейл адрес: gsmd.ac.uk
Annemarie Seither-PreislerKarl-Franzens-University GrazПотвърден имейл адрес: uni-graz.at
Andrea SchiavioSchool of Arts and Creative Technologies | University of YorkПотвърден имейл адрес: york.ac.uk
Erica BisesiProfesseur AssociéeПотвърден имейл адрес: kth.se
Werner GoeblProfessor, Head of Department of Music Acoustics, mdw – University of Music and Performing ArtsПотвърден имейл адрес: mdw.ac.at
Peter SchneiderResearch group Music and BrainПотвърден имейл адрес: musicandbrain.de
Biasutti Michele PhD Dr. Prof.Chair, Full Professor of Experimental Pedagogy Padova UniversityПотвърден имейл адрес: unipd.it
Dylan van der SchyffUniversity of MelbourneПотвърден имейл адрес: unimelb.edu.au
Renee TimmersProfessor in Psychology of Music, Department of Music, University of SheffieldПотвърден имейл адрес: sheffield.ac.uk
Hans StrasburgerU München, U GöttingenПотвърден имейл адрес: uni-muenchen.de
David HuronAcademy Professor Emeritus, Ohio State UniversityПотвърден имейл адрес: osu.edu
Peter DesainProfessor of artificial intelligence, Radboud University NijmegenПотвърден имейл адрес: donders.ru.nl
Daniel J. LevitinMinerva University, McGill UniversityПотвърден имейл адрес: minerva.edu
Nils Meyer-KahlenDoctoral Candidate, Department of Signal Processing and Acoustics, Aalto UniversityПотвърден имейл адрес: aalto.fi
Albert BregmanEmeritus Professor of Psychology, McGill UniversityПотвърден имейл адрес: mcgill.ca
William Forde ThompsonBond University, Faculty of Society and Design; and Macquarie University, Department of PsychologyПотвърден имейл адрес: mq.edu.au
Anders FribergKTH Royal Institute of TechnologyПотвърден имейл адрес: kth.se
Annabel CohenUniversity of Prince Edward IslandПотвърден имейл адрес: upei.ca
Manuela M. MarinUniversity of Vienna, AustriaПотвърден имейл адрес: uibk.ac.at

Следене

Richard Parncutt

Professor of Systematic Musicology, University of Graz, Austria

Потвърден имейл адрес: uni-graz.at - Начална страница

music psychology music cognition music theory psychoacoustics systematic musicology


Заглавие Сортиране по цитати Сортиране по година Сортиране по заглавие	Позовавания Позовавания	Година
A perceptual model of pulse salience and metrical accent in musical rhythms R Parncutt Music perception 11 (4), 409-464, 1994	758	1994
Harmony: A psychoacoustical approach R Parncutt Springer Science & Business Media, 2012	642	2012
The science and psychology of music performance: Creative strategies for teaching and learning R Parncutt, G McPherson Oxford University Press, 2002	512	2002
Perception of musical tension in short chord sequences: The influence of harmonic function, sensory dissonance, horizontal motion, and musical training E Bigand, R Parncutt, F Lerdahl Perception & psychophysics 58, 125-141, 1996	328	1996
Perceiving musical tension in long chord sequences E Bigand, R Parncutt Psychological Research 62 (4), 237-254, 1999	195	1999
Prenatal development. R Parncutt Oxford University Press, 2006	167	2006
An improved model of tonality perception incorporating pitch salience and echoic memory. D Huron, R Parncutt Psychomusicology: A Journal of Research in Music Cognition 12 (2), 154, 1993	165	1993
Revision of Terhardt's psychoacoustical model of the root (s) of a musical chord R Parncutt Music perception 6 (1), 65-93, 1988	162	1988
An ergonomic model of keyboard fingering for melodic fragments R Parncutt, JA Sloboda, EF Clarke, M Raekallio, P Desain Music Perception 14 (4), 341-382, 1997	142	1997
Size and synchronization of auditory cortex promotes musical, literacy, and attentional skills in children A Seither-Preisler, R Parncutt, P Schneider Journal of Neuroscience 34 (33), 10937-10949, 2014	127	2014
Systematic musicology and the history and future of western musical scholarship R Parncutt Journal of interdisciplinary music studies 1 (1), 1-32, 2007	119	2007
Determinants of finger choice in piano sight-reading. JA Sloboda, EF Clarke, R Parncutt, M Raekallio Journal of experimental psychology: Human perception and performance 24 (1), 185, 1998	103	1998
Consonance and dissonance in music theory and psychology: Disentangling dissonant dichotomies. R Parncutt, G Hair Journal of interdisciplinary music studies 5 (2), 2011	101	2011
The perception of pulse in musical rhythm R Parncutt Action and perception in rhythm and music 55, 127-138, 1987	90	1987
Neural biomarkers for dyslexia, ADHD, and ADD in the auditory cortex of children B Serrallach, C Groß, V Bernhofs, D Engelmann, J Benner, N Gündert, ... Frontiers in neuroscience 10, 324, 2016	83	2016
Absolute pitch R Parncutt, DJ Levitin The new Grove dictionary of music and musicians 2001, 37-8, 2001	77	2001
The emotional connotations of major versus minor tonality: One or more origins? R Parncutt Musicae Scientiae 18 (3), 324-353, 2014	74	2014
Prenatal and infant conditioning, the mother schema, and the origins of music and religion R Parncutt Musicae Scientiae 13 (2_suppl), 119-150, 2009	70	2009
Accents and expression in piano performance R Parncutt Perspektiven und Methoden einer Systemischen Musikwissenschaft, 163-185, 2003	68	2003
Piano technique and fingering in the eighteenth and nineteenth centuries: Bringing a forgotten method back to life M Gellrich, R Parncutt British Journal of Music Education 15 (1), 5-23, 1998	65	1998

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