| Temporal gestalt perception in music J Tenney, L Polansky Journal of Music Theory 24 (2), 205-241, 1980 | 401 | 1980 |
| Music and movement share a dynamic structure that supports universal expressions of emotion B Sievers, L Polansky, M Casey, T Wheatley Proceedings of the National Academy of Sciences 110 (1), 70-75, 2013 | 293 | 2013 |
| Meta Hodos a Phenomenology of 20th Century Musical Materials and an Approach to the Study of Form; and Meta Meta+ Hodos J Tenney, L Polansky | 115 | 1968 |
| Morphological metrics L Polansky Journal of New Music Research 25 (4), 289-368, 1996 | 69 | 1996 |
| Possible and impossible melody: Some formal aspects of contour L Polansky, R Bassein Journal of Music Theory 36 (2), 259-284, 1992 | 63 | 1992 |
| The early works of James Tenney L Polansky Larry Polansky, 1983 | 51 | 1983 |
| " The Music of American Folk Song" and Selected Other Writings on American Folk Music RC Seeger, L Polansky University Rochester Press, 2001 | 43 | 2001 |
| Hmsl (Hierarchical music specification language): A theoretical overview L Polansky, P Burk, D Rosenboom Perspectives of New Music, 136-178, 1990 | 29 | 1990 |
| The need of perception for the perception of needs H Von Foerster Leonardo, 223-226, 1989 | 28 | 1989 |
| Paratactical tuning: an agenda for the use of computers in experimental intonation L Polansky Computer Music Journal 11 (1), 61-68, 1987 | 28 | 1987 |
| Morphological metrics: An introduction to a theory of formal distances L Polansky Ann Arbor, MI: Michigan Publishing, University of Michigan Library, 1987 | 28 | 1987 |
| HMSL: Overview (version 3.1) and notes on intelligent instrument design L Polansky, D Rosenboom, P Burk ICMC, 1987 | 27 | 1987 |
| Morphological mutation functions L Polansky, M McKinney, BEAM Studio Proceedings of the International Computer Music Conference, 234-41, 1991 | 24 | 1991 |
| A mathematical model for optimal tuning systems L Polansky, D Rockmore, MK Johnson, D Repetto, W Pan Perspectives of New Music, 69-110, 2009 | 23 | 2009 |
| Music and computers: a theoretical and historical approach P Burk, L Polansky, D Repetto, M Roberts, D Rockmore Preface to the Archival Version (Spring, 2011), 2011 | 22 | 2011 |
| " Total Eclipse": The Music of Johanna Magdalena Beyer: An Introduction and Preliminary Annotated Checklist J Kennedy, L Polansky The Musical Quarterly 80 (4), 719-778, 1996 | 22 | 1996 |
| A few more words about James Tenney: dissonant counterpoint and statistical feedback L Polansky, A Barnett, M Winter Journal of Mathematics and Music 5 (2), 63-82, 2011 | 20 | 2011 |
| More on morphological mutation functions: Recent techniques and developments L Polansky Ann Arbor, MI: Michigan Publishing, University of Michigan Library, 1992 | 20 | 1992 |
| Live Interactive Computer Music in HMSL, 1984-1992 L Polansky Computer Music Journal 18 (2), 59-77, 1994 | 19 | 1994 |
| Spectral mutation in soundhack L Polansky, T Erbe Computer Music Journal 20 (1), 92-101, 1996 | 18 | 1996 |
Beau SieversPostdoctoral researcher, Harvard UniversityПотвърден имейл адрес: beausievers.com
