Следене
Sofia Dahl
Sofia Dahl
Associate Professor in Music perception and Cognition, Aalborg University
Потвърден имейл адрес: create.aau.dk
Заглавие
Позовавания
Позовавания
Година
Visual perception of expressiveness in musicians' body movements
S Dahl, A Friberg
Music Perception 24 (5), 433-454, 2007
4712007
Gestures in performance
S Dahl, F Bevilacqua, R Bresin
musical Gestures, 48-80, 2010
1402010
Multisensory integration of drumming actions: musical expertise affects perceived audiovisual asynchrony
K Petrini, S Dahl, D Rocchesso, CH Waadeland, F Avanzini, A Puce, ...
Experimental brain research 198, 339-352, 2009
1262009
Playing the accent-comparing striking velocity and timing in an ostinato rhythm performed by four drummers
S Dahl
Acta Acustica united with Acustica 90 (4), 762-776, 2004
1262004
The playing of an accent–preliminary observations from temporal and kinematic analysis of percussionists
S Dahl
Journal of New Music Research 29 (3), 225-233, 2000
942000
Action expertise reduces brain activity for audiovisual matching actions: an fMRI study with expert drummers
K Petrini, FE Pollick, S Dahl, P McAleer, L McKay, D Rocchesso, ...
Neuroimage 56 (3), 1480-1492, 2011
892011
Expressiveness of musician’s body movements in performances on marimba
S Dahl, A Friberg
International Gesture Workshop, 479-486, 2003
762003
On the beat: Human movement and timing in the production and perception of music
S Dahl
KTH, 2005
532005
Striking movements: A survey of motion analysis of percussionists
S Dahl
Acoustical science and technology 32 (5), 168-173, 2011
512011
Movements and analysis of drumming
S Dahl
Oxford University Press, 2012
452012
Characterizing movement fluency in musical performance: Toward a generic measure for technology enhanced learning
V Gonzalez-Sanchez, S Dahl, JL Hatfield, RI Godøy
Frontiers in psychology 10, 84, 2019
402019
Preferred dance tempo: does sex or body morphology influence how we groove?
S Dahl, D Huron, G Brod, E Altenmüller
Journal of New Music Research 43 (2), 214-223, 2014
382014
Is the player more influenced by the auditory than the tactile feedback from the instrument
S Dahl, R Bresin
Proceedings of the Digital Audio Effects Conference (DAFx), 6-9, 2001
382001
Motor control in drumming: Influence of movement pattern on contact force and sound characteristics
S Dahl, E Altenmüller
362008
Facial expression and vocal pitch height: Evidence of an intermodal association.
D Huron, S Dahl, R Johnson
Empirical Musicology Review 4 (3), 93-100, 2009
312009
Experiments on gestures: walking, running, and hitting
R Bresin, S Dahl
The sounding object, 111-136, 2003
302003
Ghost in the Cave–an interactive collaborative game using non-verbal communication
ML Rinman, A Friberg, B Bendiksen, D Cirotteau, S Dahl, I Kjellmo, ...
International Gesture Workshop, 549-556, 2003
252003
Spectral changes in the tom-tom related to striking force
S Dahl
Royal Institute of Technology, Department of Speech, Music and Hearing, 1996
211996
Effect of dynamic level in drumming: Measurement of striking velocity, force, and sound level
S Dahl, M Grossbach, E Altenmüller
Proceedings of Forum Acusticum, 621-624, 2011
172011
What can the body movements reveal about a musician’s emotional intention?
S Dahl, A Friberg
SMAC 03, Stockholm Music Acoustics Conference 2, 599-602, 2003
172003
Системата не може да изпълни операцията сега. Опитайте отново по-късно.
Статии 1–20