Sofia Dahl

Получаване на мой собствен потребителски профил

Позовавания

	Всички	От 2018
Позовавания	1607	565
h-индекс	18	12
i10-индекс	24	14

140

105

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Публичен достъп

Преглед на всички

4 статии

0 статии

налични

неналични

Въз основа на изисквания при финансирането

Съавтори

Anders FribergKTH Royal Institute of TechnologyПотвърден имейл адрес: kth.se
Roberto BresinProfessor of Media Technology, KTH Royal Institute of technologyПотвърден имейл адрес: kth.se
Altenmüller EckartProfessor für Musikphysiologie, Hannover University of Music, Drama, and Media Потвърден имейл адрес: hmtm-hannover.de
Frank PollickProfessor of Psychology, University of GlasgowПотвърден имейл адрес: glasgow.ac.uk
Federico AvanziniFull Professor, University of MilanoПотвърден имейл адрес: di.unimi.it
Davide RocchessoFull Professor. Università degli Studi di PalermoПотвърден имейл адрес: unipa.it
Cumhur ErkutAssociate Professor, Aalborg University CopenhagenПотвърден имейл адрес: create.aau.dk
David HuronAcademy Professor Emeritus, Ohio State UniversityПотвърден имейл адрес: osu.edu
Rolf Inge GodøyProfessor of Musicology, University of OsloПотвърден имейл адрес: imv.uio.no
Frederic BevilacquaIRCAM ParisПотвърден имейл адрес: ircam.fr
Stefania SerafinAalborg UniversityПотвърден имейл адрес: create.aau.dk
Antonio CamurriProfessor, University of Genoa, ItalyПотвърден имейл адрес: unige.it
Svante GranqvistUniversitetslektor Kungl. tekniska högskolanПотвърден имейл адрес: kth.se
Victor González SánchezSINTEFПотвърден имейл адрес: sintef.no
Dan OverholtAalborg University CopenhagenПотвърден имейл адрес: create.aau.dk
George SiorosUniversity of Plymouth, School of Society and CultureПотвърден имейл адрес: plymouth.ac.uk
Min-Ho SongTechnical University of DenmarkПотвърден имейл адрес: elektro.dtu.dk
Kjetil FalkenbergKTH Royal Institute of TechnologyПотвърден имейл адрес: kth.se

Следене

Sofia Dahl

Associate Professor in Music perception and Cognition, Aalborg University

Потвърден имейл адрес: create.aau.dk

Musicians' movements timing production and perception


Заглавие Сортиране по цитати Сортиране по година Сортиране по заглавие	Позовавания Позовавания	Година
Visual perception of expressiveness in musicians' body movements S Dahl, A Friberg Music Perception 24 (5), 433-454, 2007	433	2007
Playing the accent-comparing striking velocity and timing in an ostinato rhythm performed by four drummers S Dahl Acta Acustica united with Acustica 90 (4), 762-776, 2004	120	2004
Gestures in performance S Dahl, F Bevilacqua, R Bresin Musical Gestures, 48-80, 2010	119	2010
Multisensory integration of drumming actions: musical expertise affects perceived audiovisual asynchrony K Petrini, S Dahl, D Rocchesso, CH Waadeland, F Avanzini, A Puce, ... Experimental brain research 198, 339-352, 2009	113	2009
The playing of an accent–preliminary observations from temporal and kinematic analysis of percussionists S Dahl Journal of New Music Research 29 (3), 225-233, 2000	85	2000
Action expertise reduces brain activity for audiovisual matching actions: an fMRI study with expert drummers K Petrini, FE Pollick, S Dahl, P McAleer, L McKay, D Rocchesso, ... Neuroimage 56 (3), 1480-1492, 2011	81	2011
Expressiveness of musician’s body movements in performances on marimba S Dahl, A Friberg Gesture-Based Communication in Human-Computer Interaction: 5th International …, 2004	74	2004
On the beat: Human movement and timing in the production and perception of music S Dahl KTH, 2005	48	2005
Movements and analysis of drumming S Dahl Oxford University Press, 2012	43	2012
Striking movements: A survey of motion analysis of percussionists S Dahl Acoustical science and technology 32 (5), 168-173, 2011	42	2011
Is the player more influenced by the auditory than the tactile feedback from the instrument S Dahl, R Bresin Proc. of the cost-g6 workshop on digital audio effects (dafx-01), limerick …, 2001	38	2001
Motor control in drumming: Influence of movement pattern on contact force and sound characteristics S Dahl, E Altenmüller	31	2008
Experiments on gestures: walking, running, and hitting R Bresin, S Dahl The sounding object, 111-136, 2003	29	2003
Preferred dance tempo: does sex or body morphology influence how we groove? S Dahl, D Huron, G Brod, E Altenmüller Journal of New Music Research 43 (2), 214-223, 2014	28	2014
Characterizing movement fluency in musical performance: Toward a generic measure for technology enhanced learning V Gonzalez-Sanchez, S Dahl, JL Hatfield, RI Godøy Frontiers in psychology 10, 84, 2019	27	2019
Facial expression and vocal pitch height: Evidence of an intermodal association. D Huron, S Dahl, R Johnson Empirical Musicology Review 4 (3), 93-100, 2009	26	2009
Ghost in the Cave–an interactive collaborative game using non-verbal communication ML Rinman, A Friberg, B Bendiksen, D Cirotteau, S Dahl, I Kjellmo, ... International Gesture Workshop, 549-556, 2003	25	2003
Spectral changes in the tom-tom related to striking force S Dahl Royal Institute of Technology, Department of Speech, Music and Hearing, 1996	20	1996
Toward a new model for sound control R Bresin, A Friberg, S Dahl COST G-6 Conference on Digital Audio Effects (DAFX-01), Limerick, Ireland …, 2001	16	2001
What can the body movements reveal about a musician’s emotional intention? S Dahl, A Friberg SMAC 03, Stockholm Music Acoustics Conference 2, 599-602, 2003	15	2003

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