| Electrically-assisted bikes: Potential impacts on travel behaviour S Cairns, F Behrendt, D Raffo, C Beaumont, C Kiefer Transportation research part A: policy and practice 103, 327-342, 2017 | 169 | 2017 |
| HCI Methodology For Evaluating Musical Controllers: A Case Study. C Kiefer, N Collins, G Fitzpatrick NIME, 87-90, 2008 | 121 | 2008 |
| Smart e‐bike monitoring system: real‐time open source and open hardware GPS assistance and sensor data for electrically‐assisted bicycles C Kiefer, F Behrendt IET Intelligent Transport Systems 10 (2), 79-88, 2016 | 72 | 2016 |
| Better brain interfacing for the masses: progress in event-related potential detection using commercial brain computer interfaces M Grierson, C Kiefer CHI'11 Extended Abstracts on Human Factors in Computing Systems, 1681-1686, 2011 | 52 | 2011 |
| Self-resonating feedback cello: interfacing gestural and generative processes in improvised performance. A Eldridge, C Kiefer NIME, 25-29, 2017 | 48 | 2017 |
| Evaluating the wiimote as a musical controller C Kiefer, N Collins, G Fitzpatrick ICMC, 2008 | 38 | 2008 |
| Phalanger: Controlling music software with hand movement using a computer vision and machine learning approach C Kiefer, N Collins, G Fitzpatrick | 20 | 2009 |
| Psychological benefits of networking technologies in children’s experience of ensemble music making F Hanrahan, E Hughes, R Banerjee, A Eldridge, C Kiefer International Journal of Music Education 37 (1), 59-77, 2019 | 19 | 2019 |
| Musical Instrument Mapping Design with Echo State Networks. C Kiefer NIME, 293-298, 2014 | 19 | 2014 |
| NoiseBear: A malleable wireless controller designed in participation with disabled children M Grierson, C Kiefer Proceedings of the International Conference on New Interfaces for Musical …, 2013 | 17 | 2013 |
| A variational autoencoder for music generation controlled by tonal tension R Guo, I Simpson, T Magnusson, C Kiefer, D Herremans arXiv preprint arXiv:2010.06230, 2020 | 16 | 2020 |
| What does augmented reality mean as a medium of expression for computational artists? C Chevalier, C Kiefer Leonardo 53 (3), 263-267, 2020 | 16 | 2020 |
| A Malleable Interface for Sonic Exploration. C Kiefer NIME, 291-296, 2010 | 16 | 2010 |
| Toward a synthetic acoustic ecology: Sonically situated, evolutionary agent based models of the acoustic niche hypothesis A Eldridge, C Kiefer Artificial Life Conference Proceedings, 296-303, 2018 | 15 | 2018 |
| Progress Report on the EAVI BCI Toolkit for Music: Musical Applications of Algorithms for use with consumer brain computer interfaces. M Grierson, C Kiefer, M Yee-King ICMC, 2011 | 14 | 2011 |
| MusIAC: An extensible generative framework for Music Infilling Applications with multi-level Control R Guo, I Simpson, C Kiefer, T Magnusson, D Herremans International Conference on Computational Intelligence in Music, Sound, Art …, 2022 | 13 | 2022 |
| Shaping the behaviour of feedback instruments with complexity-controlled gain dynamics C Kiefer, D Overholt, A Eldridge 20th International Conference on New Interfaces for Musical Expression, 343-348, 2020 | 13 | 2020 |
| Contemporary approaches to music BCI using P300 event related potentials M Grierson, C Kiefer Guide to brain-computer music interfacing, 43-59, 2014 | 13 | 2014 |
| Self-resonating Vibrotactile Feedback Instruments||: Making, Playing, Conceptualising:|| A Eldridge, C Kiefer, D Overholt, H Ulfarsson PubPub, 2021 | 10 | 2021 |
| Towards New Modes of Collective Musical Expression through Audio Augmented Reality. C Kiefer, C Chevalier NIME, 25-28, 2018 | 10 | 2018 |
Thor MagnussonDept of Music, University of Sussex | Intelligent Instruments Lab, Iceland University of the ArtsПотвърден имейл адрес: sussex.ac.uk
