Следене
Simon Waloschek
Simon Waloschek
Center of Music and Film Informatics
Потвърден имейл адрес: cemfi.de - Начална страница
Заглавие
Позовавания
Позовавания
Година
Identification and Cross-Document Alignment of Measures in Music Score Images.
S Waloschek, A Hadjakos, A Pacha
ISMIR, 137-143, 2019
132019
Driftin' Down the Scale: Dynamic Time Warping in the Presence of Pitch Drift and Transpositions.
S Waloschek, A Hadjakos
ISMIR, 630-636, 2018
132018
SPINE: A TUI Toolkit and Physical Computing Hybrid.
A Hadjakos, S Waloschek
NIME, 625-628, 2014
92014
Meico: A converter framework for bridging the gap between digital music editions and its applications
A Berndt, S Waloschek, A Hadjakos
Proceedings of the Audio Mostly 2018 on Sound in Immersion and Emotion, 1-7, 2018
62018
Hand gestures in music production
A Berndt, S Waloschek, A Hadjakos
ICMC 2016-42nd Int. Comput. Music Conf. Proc, 448-453, 2016
62016
Ambidice: an ambient music interface for tabletop role-playing games.
A Berndt, S Waloschek, A Hadjakos, A Leemhuis
NIME 17, 15-19, 2017
52017
Bacher than Bach? On musicologically informed AI-based Bach chorale harmonization
A Leemhuis, S Waloschek, A Hadjakos
Machine Learning and Knowledge Discovery in Databases: International …, 2020
42020
Interactive Scores in Classical Music Production
S Waloschek, A Berndt, BW Bohl, A Hadjakos
ISMIR 2016, 2016
42016
VIP: Controlling the sound of a piano with wrist-worn inertial sensors
A Hadjakos, S Waloschek
International Conference on New Interfaces for Musical Expression, Keyboard …, 2014
42014
Tools for annotating musical measures in digital music editions
Y Mexin, A Hadjakos, A Berndt, S Waloschek, A Wawilow, G Szwillus
Proceedings of the 14th Sound and Music Computing Conference, 279-286, 2017
32017
Sensors on stage: conquering the requirements of artistic experiments and live performances.
S Waloschek, A Hadjakos
NIME, 351-354, 2015
32015
Detecting hands from piano MIDI data
A Hadjakos, S Waloschek, A Leemhuis
Gesellschaft für Informatik eV, 2019
22019
Accelerating the Editing Phase in Music Productions using Interactive Scores
S Waloschek, A Berndt, BW Bohl, A Hadjakos
Proceedings of the 2nd AES Workshop on Intelligent Music Production 13, 2016
22016
Dem Igel Sitte lehren … Musikedition: von der digitalen Verfügbarkeit zur aktiven Nutzung
BW Bohl, A Berndt, S Waloschek, A Hadjakos
“Ei, dem alten Herrn zoll’ ich Achtung gern'” - Festschrift für Joachim Veit …, 2016
22016
Synchronizing Spatially Distributed Musical Ensembles
A Hadjakos, A Berndt, S Waloschek
12th Sound and Music Computing Conf.(SMC15). Maynooth University, Maynooth …, 2015
22015
Interaktive Partituren in der Musikproduktion
S Waloschek
Master's thesis. Ostwestfalen-Lippe University of Applied Sciences, Center …, 2017
12017
Inside Beethoven! a musical installation for a new listening perspective
A Berndt, S Waloschek, A Hadjakos, J Veit
Proceedings of the 15th International Audio Mostly Conference, 245-248, 2020
2020
Audioschnitt in digitalen Noten
S Waloschek
Gesellschaft für Informatik, Bonn, 2017
2017
Dem Igel Sitte lehren…
BW Bohl, A Berndt, S Waloschek, A Hadjakos
2016
Gedanken zur Nutzung von Handgesten in der Musikproduktion
A Berndt, S Waloschek, A Hadjakos
De Gruyter Oldenbourg, 2015
2015
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